In 2005, director Christopher Nolan redefined the Batman legend with Batman Begins, staring Christian Bale as the Gaped Crusader. A fresh, dynamic reboot of the franchise, Batman Begins explored the comic book hero's origins and his evolution from billionaire Bruce Wayne to dark avenger who fights crime and corruption in Gotham City. A 2008 sequel, The Dark Knight, took those c...(展开全部)

In 2005, director Christopher Nolan redefined the Batman legend with Batman Begins, staring Christian Bale as the Gaped Crusader. A fresh, dynamic reboot of the franchise, Batman Begins explored the comic book hero's origins and his evolution from billionaire Bruce Wayne to dark avenger who fights crime and corruption in Gotham City. A 2008 sequel, The Dark Knight, took those c...(展开全部)

鲁伯特·克里斯琴（Rupert Christiansen） 曾就读于剑桥大学和哥伦比亚大学，并成为富布赖特学者。他是《每日电讯报》的歌剧评论家和《星期日邮报》的舞蹈评论家，同时也为多家美国、英国期刊杂志撰稿，其中包括：《旁 观者》杂志，《哈勃斯奎因》杂志，《名利场》，《泰晤士报文学增刊》，《文学评论》。他还是《欧普拉》杂志的编委会成员。

【意】多纳托·卡瑞西（Donato Carrisi） 意大利当代悬疑文学的代名词，代表作“罪恶捕手”系列、《魔鬼在呢喃》等。 多纳托·卡瑞西曾主修犯罪学，是名副其实的犯罪学专家。他的作品多基于犯罪学理论和真实案例，节奏快且烧脑，情节扑朔迷离，因此他被称为无法猜到作品结局的悬疑作家。他擅长人物刻画，对变态杀人魔的刻画更是入木三分。 卡瑞西斩获了包括意大利文学至高奖之一的巴卡瑞拉奖等多个大奖，肯·福莱特、迈克尔·康奈利等悬疑大师都对其赞不绝口。 《罪恶捕手：恶童医院》是卡瑞西基于真实故事，精心改编的经典之作。卡瑞西将史料、秘闻和自己的犯罪学知识相结合，使得故事无比紧张刺激，极具阅读快感。

What does the famous Herzwesten beer have to do with saving the entire western world from the invading Turkish armies? Brian Duffy, aging soldier of fortune, is the only man who can rescue the world from evil--if only he can figure out why the beer was so important to a mysterious old man called the Fisher King, and why his dreams are plagued with images of a sword and an arm r...(展开全部)

【意】多纳托·卡瑞西（Donato Carrisi） 意大利当代悬疑文学的代名词，代表作“罪恶捕手”系列、《魔鬼在呢喃》等。 多纳托·卡瑞西曾主修犯罪学，是名副其实的犯罪学专家。他的作品多基于犯罪学理论和真实案例，节奏快且烧脑，情节扑朔迷离，因此他被称为无法猜到作品结局的悬疑作家。他擅长人物刻画，对变态杀人魔的刻画更是入木三分。 卡瑞西斩获了包括意大利文学至高奖之一的巴卡瑞拉奖等多个大奖，肯·福莱特、迈克尔·康奈利等悬疑大师都对其赞不绝口。 《罪恶捕手：恶童医院》是卡瑞西基于真实故事，精心改编的经典之作。卡瑞西将史料、秘闻和自己的犯罪学知识相结合，使得故事无比紧张刺激，极具阅读快感。

When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory's loss. They are not conduits for the return of memory, but "memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of fi...(展开全部)

When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory's loss. They are not conduits for the return of memory, but "memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of fi...(展开全部)

Gathering for the first time all of Claude Levi-Strauss's writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist's dictum that to understand one's own culture, one must regard it from the point of view of another. Exposure to Japanese art was influential in Levi-Strauss's early intellectual growth, and between ...(展开全部)

Gathering for the first time all of Claude Levi-Strauss's writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist's dictum that to understand one's own culture, one must regard it from the point of view of another. Exposure to Japanese art was influential in Levi-Strauss's early intellectual growth, and between ...(展开全部)